Collections

The collections we care for

A young girl and a woman look at a plastic container, with the girl holding a small object.

The collections we care for are far more than a series of objects in glass cases.

They tell rich stories about what it means to be human, provide connections between cultures and generations, and help us to better understand some of the most pressing issues of our time.

As one of the UK’s largest university museums, we provide a home for around 4.5 million objects across a variety of fields, but these aren’t our collections, they’re yours.

We look after them for the benefit of all and that’s why much of our work is focused on making collections more accessible, using them to connect communities with their cultural heritage, to foster understanding and belonging, and to underpin research that has a positive impact on the lives of people both locally and globally.

As part of this, it’s important we are honest about the origins of collections, in order to acknowledge harm but also to encourage healing. Although Manchester Museum was borne of civic pride, it was also borne of Empire, colonial violence and extraction, so while the collections housed here can undoubtedly spark joy and celebration, they can also cause pain.

Our work on repatriation, restitution and indigenisation aims to recognise this. All of the collections at Manchester Museum are open to the possibility of unconditional return to communities of origin, but we have also worked hard to remove barriers to access by taking collections to schools, care homes and places of worship, putting our work at the heart of communities.

Through collaboration with those communities, we hope to use these incredible collections to better inspire future generations and ensure the Museum remains a rite of passage for future young Mancunians.

Explore our collections

The history of collections at Manchester Museum

The Museum was opened in 1887 to house collections that had belonged to the Manchester Natural History Society, whose museum in the city centre had closed c. 1872.

The origins of the collections housed at the Museum can be traced back to the formation of the Manchester Society for the Promotion of Natural History in the 1820s. The collections of the Manchester Geological and Mining Society were transferred in 1850. Following the decline of the Society, the collections were transferred to Owens College (now The University of Manchester) in 1867 and a museum was built in 1885 to house these collections.

Foundational collections and financial support came from early textile industrialist John Leigh Phillips whose success in textile manufacturing rested on cotton grown by enslaved people. At the height of British colonial power, the Museum’s collections grew significantly. The early 20th century collecting frenzy and the Museum’s role as a colonial repository saw botany, Egyptology, archaeology and anthropology collections grow at pace.

Black and white photo of three people moving a large, ancient Egyptian column into a building at The University of Manchester.

THE MUSEUM’S ANCIENT EGYPTIAN COLUMN ARRIVES ON SITE.

A man standing in front of the skeleton of the elephant Maharajah at Manchester Museum.

JAMES CRAYTHORNE STANDS ALONGSIDE MAHARAJAH

Two men in suits examining and carefully placing the bones of a fossilised plesiosaur.

MUSEUM CURATORS PIECE TOGETHER THE SKELETON OF A PLESIOSAURUS

A new extension was built for the archaeology and Egyptology collections in 1912, and another for the ethnology (now living cultures) collection in 1927.

The collections have been developed mainly through donation, bequest and field collecting or research by staff in both the Museum and the wider University. Collecting activity was highest during the late 19th and early 20th centuries, although collecting has continued at lower levels in all collecting areas since that time.

An archive picture of the facade of Manchester Museum.

THE MUSEUM’S EXTENSION AND BRIDGE WERE COMPLETED IN 1912.

People look at exhibits within a gallery at Manchester Museum in the early 20th century.

THE MUSEUM’S FIRST COLLECTIONS HAD BELONGED TO LOCAL COLLECTOR JOHN LEIGH PHILIPS.

Black-and-white photo of the first floor interior of Manchester Museum from the early 20th century.

THE MUSEUM’S FOSSILS GALLERY.

Diagram of the Manchester Museum showing different sections on various floors, including zoology, botany, archaeology, geology, ethnology, and school classes, with labeled areas for Egyptian collections, coins, and exhibits.

THE MUSEUM FLOOR DIAGRAM FROM 1961.

The Museum has had associations with a number of leading figures. Its existence is due to Thomas Henry Huxley, who advised the Manchester Society for the Promotion of Natural History that its collection should be passed to Owens College. The first curator was Huxley’s acolyte William Boyd Dawkins.

The latest large extension came in 1977 when the museum acquired the premises vacated by the University Department of Metallurgy. This Edwardian baroque building had been designed in 1908 by Charles Heathcote and Sons as the Dental Hospital. In 2003 the Museum opened a new entrance building, off Coupland Street, and the Café was developed in the former Dental Hospital building.

The Museum reopened its doors to thousands of visitors in February 2023, following a £15 million renovation as part of the hello future project. This one-of-a-kind transformation – generously supported by our community of donors – has revolutionised how the Museum works, giving communities the opportunity to co-create exhibitions that are unique and empowering learning spaces for all.

Construction site showing a partially built multi-story building with a yellow crane labeled 'AINSCOUGH', wooden floors, metal framing, safety railings, and construction materials on the ground.
Interior view of a construction site showing scaffolding outside a large window, with red brick building visible through the window. The walls are unfinished, and construction materials and debris are on the floor.
Empty modern interior with light wooden flooring, white walls, a wood-paneled ceiling with multiple windows and skylights, and white supporting columns.

CONSTRUCTION BEGINS ON THE HELLO FUTURETRANSFORMATION IN NOVEMBER 2019.

The transformation offered the Museum the opportunity of a new entrance on Oxford Road, and with that a complete reconfiguration of the ground floor including a brand new exhibition hall. Two new galleries were also created that focused on embedding diverse perspectives within the Museum. The first being the Lee Kai Hung Chinese Culture Gallery, generously supported by Dr Lee Kai Hung, a retired Hong Kong businessman and honorary graduate of the University. Another being the British Museum partnership South Asia Gallery, which was co-curated with local communities and is the first permanent collection in the UK celebrating the experiences, contributions and histories of the South Asian diaspora communities.

The Chinese Culture Gallery at Manchester Museum, showing cases of Chinese cultural objects, including a colourful embroidered robe.

THE LEE KAI HUNG CHINESE CULTURE GALLERY.

Exhibit of traditional Indian textiles, musical instruments, and masks in a museum display case, with a mannequin dressed in colorful Indian clothing and a video projection in the background.

THE SOUTH ASIA GALLERY.